French views on biotechnology essay

Lawrence THE HANDLE, which varies in length according to the height of its user, and in some cases is made by that user to his or her specifications, is like most of the other parts of the tool in that it has a name and thus a character of its own. I call it the snath, as do most of us in the UK, though variations include the snathe, the snaithe, the snead, and the sned. Onto the snath are attached two hand grips, adjusted for the height of the user. On the bottom of the snath is a small hole, a rubberized protector, and a metal D-ring with two hex sockets.

French views on biotechnology essay

This means that, since she has no skin pigment, under ordinary environmental conditions she is completely white with pink eyes.

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Alba is not green all the time. She only glows when illuminated with the correct light. When and only when illuminated with blue light maximum excitation at nmshe glows with a bright green light maximum emission at nm.

She was created with EGFP, an enhanced version i. EGFP gives about two orders of magnitude greater fluorescence in mammalian cells including human cells than the original jellyfish gene [2].

This was accomplished with the invaluable assistance of zoosystemician Louis Bec French views on biotechnology essay and scientists Louis-Marie Houdebine and Patrick Prunet [4]. The third phase will take place when the bunny comes home to Chicago, becoming part of my family and living with us from this point on.

Collection Museum of London. Phoenicians seafarers discovered rabbits on the Iberian Peninsula around BC and, thinking that these were Hyraxes also called Rock Dassiescalled the land "i-shepan-im" land of the Hyraxes. Since the Iberian Peninsula is north of Africa, relative geographic position suggests that another Punic derivation comes from sphan, "north".

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As the Romans adapted "i-shepan-im" to Latin, the word Hispania was created -- one of the etymological origins of Spain. Although semi-domestication started in the Roman period, in this initial phase rabbits were kept in large walled pens and were allowed to breed freely.

Humans started to play a direct role in the evolution of the rabbit from the sixth to the tenth centuries AD, when monks in southern France domesticated and bred rabbits under more restricted conditions [5]. Originally from the region comprised by southwestern Europe and North Africa, the European rabbit Oryctolagus cuniculus is the ancestor of all domestic breeds.

Since the sixth century, because of its sociable nature the rabbit increasingly has become integrated into human families as a domestic companion. Such human-induced selective breeding created the morphological diversity found in rabbits today.

The first records describing a variety of fur colors and sizes distinct from wild breeds date from the sixteenth century. It was not until the eighteenth century that selective breeding resulted in the Angora rabbit, which has a uniquely thick and beautiful wool coat. The process of domestication carried out since the sixth century, coupled with ever increasing worldwide migration and trade, resulted in many new breeds and in the introduction of rabbits into new environments different from their place of origin.

While there are well over known breeds of rabbit around the world, "recognized" pedigree breeds vary from one country to another. In addition to selective breeding, naturally occurring genetic variations also contributed to morphological diversity.

The albino rabbit, for example, is a natural recessive mutation which in the wild has minimal chances of survival due to lack of proper pigmentation for camouflage and keener vision to spot prey.

French views on biotechnology essay

However, because it has been bred by humans, it can be found widely today in healthy populations. The human preservation of albino animals is also connected to ancient cultural traditions: Ixchel and the Rabbit, North America, C.

Ixchel is the moon goddess in Maya mythology, often depicted sitting in a moon sign holding a rabbit. Rabbit on the moon found on pottery of the Mimbres tribe, who lived in what is now the Southwestern United States from the 9th to 12th centuries. The differences between the two include the principles that guide the work, the procedures employed, and the main objectives.

Traditionally, animal breeding has been a multi-generational selection process that has sought to create pure breeds with standard form and structure, often to serve a specific performative function.

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As it moved from rural milieus to urban environments, breeding de-emphasized selection for behavioral attributes but continued to be driven by a notion of aesthetics anchored on visual traits and on morphological principles.

Transgenic art, by contrast, offers a concept of aesthetics that emphasizes the social rather than the formal aspects of life and biodiversity, that challenges notions of genetic purity, that incorporates precise work at the genomic level, and that reveals the fluidity of the concept of species in an ever increasingly transgenic social context.

As a transgenic artist, I am not interested in the creation of genetic objects, but on the invention of transgenic social subjects. In other words, what is important is the completely integrated process of creating the bunny, bringing her to society at large, and providing her with a loving, caring, and nurturing environment in which she can grow safe and healthy.

This integrated process is important because it places genetic engineering in a social context in which the relationship between the private and the public spheres are negotiated.

In other words, biotechnology, the private realm of family life, and the social domain of public opinion are discussed in relation to one another. Such an approach would suggest a conflation of the operational sphere of life sciences with a traditional aesthetics that privileges formal concerns, material stability, and hermeneutical isolation.

Integrating the lessons of dialogical philosophy [7] and cognitive ethology [8], transgenic art must promote awareness of and respect for the spiritual mental life of the transgenic animal.

The word "aesthetics" in the context of transgenic art must be understood to mean that creation, socialization, and domestic integration are a single process. The question is not to make the bunny meet specific requirements or whims, but to enjoy her company as an individual all bunnies are differentappreciated for her own intrinsic virtues, in dialogical interaction.

Detail from the tapestry "The Lady with the Unicorn", c. One very important aspect of "GFP Bunny" is that Alba, like any other rabbit, is sociable and in need of interaction through communication signals, voice, and physical contact. As I see it, there is no reason to believe that the interactive art of the future will look and feel like anything we knew in the twentieth century.Ethos Wycombe Abbey enables girls to open their minds and to develop their personal passions.

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The learning environment is supportive, yet challenging, with a sense that pupils and their teachers are on an educational journey together. The field of health science encompasses a variety of traditional and non-traditional medical and health fields. Use these essay topics to help students explore the diversity of health science and.

Paul Kingsnorth is a writer and poet living in Cumbria, England. He is the author of several books, including the poetry collection Kidland and his fictional debut The Wake, winner of the Gordon Burn Prize and the Bookseller Book of the Year Award. Kingsnorth is the cofounder and director of the Dark Mountain Project, a network of writers, artists, and thinkers.

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Selected Index of Postings on Place-names and Lankan Issues