Comme des Garcons, Alexander McQueen, and even Vivienne Westwood, have all been key movers in demonstrating postmodernist elements. The use of postmodernism in fashion has been widespread over the past two decades and can be seen as an approach to a way of making things in an artistic style. How something is made or how the specific silhouette is created confers a particular status on the wearer.
Clothing was no longer a representation of social hierarchies, the rebirth of opulence was for everyone, as much as possible, and could be as fantastic, impractical, or downright obscene as you liked.
From here, fashion only got better and better. But mostly this is just a post on amazing futuristic fashion which may not be here without that movement: Thierry Mugler, is well known for creating stunning, yet impractical pieces, such as his infamous metal corsets.
Also typical of this movement was Hussein Chalayan, who used smart technologies and materials to create beautiful, robotic dresses that appeared from hats and even coffee tables as if by magic. Gareth Pugh, is also one for interesting yet impractical sillouettes.
Creating exquisite and futuristic headpieces. I wish crinolines were still practical for everyday wear. Jeremy Scott creates some really beautiful furry rainbow clothes, but he uses real fur in his designs unfortunately. Johan Ku creates Avante garde knitwear, creating sculptures that hang over the body rather than clothes.
But maybe, one of the best bits about the progressive fashion of postmodernism was when they threw the gender binaries out the window. Not only was androgyny an accepted thing, it was seen as so cool!
At the forefront of this were pop stars like David Bowie, and Annie Lennox who smashed social norms with a mallet and paved the way for a glorious new age of ambiguity in gender. Annie Lennox Now we have actors doing it too!That postmodernism is indefinable is a truism.
However, it can be described as a set of critical, strategic and rhetorical practices employing concepts such as difference, repetition, the trace, the simulacrum, and hyperreality to destabilize other concepts such as presence, identity, historical progress, epistemic certainty, and the univocity of meaning.
youth and popular culture, from second-hand fashion to the rave scene, and from moral panics to teenage magazines.
McRobbie argues throughout for a commitment to cultural studies as an ‘undisciplined’ discipline, reforming and reinventing itself as circumstances postmodernism other than those of critique and condemnation.
How French “Intellectuals” Ruined the West: Postmodernism and Its Impact, Explained.
by Helen Pluckrose; Posted on March 27, May 3, ; P ostmodernism presents a threat not only to liberal democracy but to modernity itself. That may sound like a bold or even hyperbolic claim, but the reality is that the cluster of ideas and values at the root of postmodernism have broken the bounds.
Tracing postmodernism from its roots in Jean-Jacques Rousseau and Immanuel Kant to their development in thinkers such as Michel Foucault and Richard Rorty, philosopher Stephen Hicks provides a provocative account of why postmodernism has been the most vigorous intellectual movement of the late 20th century.
Postmodernism has embraced all forms of art, including the world of fashion, and fashion has recently embodied all of the major elements of postmodernism.
This can be clearly seen on the catwalks and shows of the latest, popular fashion designers. The What is religion? page of this site gives a very brief outline of postmodernity. This page will provide you with a little bit more detail. Remember, the OCR specification requires that you consider the challenge that postmodernity presented to Christianity and also the ways in which Smart and Cupitt respond to that challenge.